上海机器织布局俗称“老洋布局”，是近代中国最早的官督商办机器棉纺织企业。早在光绪二年（1876），李鸿章便曾派魏纶先出面筹办织布事宜，但魏无法筹集资金，所以该计划未能实现。光绪四年九月初十日，四川候补道彭汝琮呈请北洋大臣李鸿章、南洋大臣沈葆桢奏准设立上海机器织布局。几经变动，光绪六年（1880），确定由戴恒、龚寿图、郑观应、经元善等人负责筹办，郑观应任总办，开办资金五十万两，全套机器从英、美购置，拥有纱绽三万五千枚，布机五百三十台，雇工多时约四千人。光绪十三年（1887），李鸿章复派龚寿图接办。直到光绪十六年（1890）才建成投产。营业兴旺，纺纱的利润尤高。光绪十九年（1893）夏，李鸿章决定扩充纺纱，向英国增订机器。九月初十日，织布局清花间失火，全厂付之一炬。十月，李鸿章派盛宣怀会同上海海关道聂缉椝负责恢复织布局，招募新股一百万两，在织布局旧址设厂，取名“华盛纺织总厂”。

都知道尹奉吉义士却对与他同行的李华林知之甚少，都知道有个临时政府却对其管理内务的郑靖和并不熟悉，虽然这些人有点陌生，她们却是实际存在的女性独立运动人士，她们对独立的贡献不算突出，因为路线不同，所以她们一直被我们遗忘着，本影片记述了她们的故事。@www.aixiaoju.com

讲述了人类饮食习惯的改变过程，食物大批量生产所带来的一系列后果，以及肥胖与瘦弱的根源是什么，其中，一定有你想象不到的结论。

A masterwork of Sri Lankan cinema, this moving saga of family and class conflict was made by Lester James Peries, his country’s foremost filmmaker and a director much admired by India’s Satyajit Ray. 　　Gamperaliya is regarded as a cornerstone of Sri Lankan cinema, launching upon its release in 1964 ‘a revolution, not only in the way films were made, but also in the content,’ according to producer Anton Wickramasinghe. 　　Peries sought an alternative to the Bollywood-influenced melodramas that dominated Sri Lanka’s commercial cinema, writing stories that looked at the staple issues of melodrama in a more nuanced way. 　　The film, adapted from a novel by Martin Wickramasinghe, focuses on Piyal, a teacher and member of the new rising middle class, who falls in love with the daughter of his village’s leading aristocratic clan; the girl’s parents insist upon a marriage to a stuffed shirt of her own class, one that shifting social forces are already rendering obsolete. 　　Gamperaliya is filmed in an elegant and uncoercive narrative style that has been compared to Satyajit Ray’s Apu Trilogy; its aesthetic choices also have a moral dimension: at every level, this is a movie about the importance of setting aside illusion and exaggeration and seeing things as they are.

《中国功夫史》在搞笑中为你介绍中国功夫电影的历史。

长期在外的军人赛回到家乡参加女儿的婚礼。婚礼上欢快的场面让他想起了当年的自己：那时他刚刚12岁，新娘图伊特18岁。图伊特是小妾的女儿，没有什么文化，赛对这个父母硬塞给他的妻子厌恶至极。尽管图伊特竭尽全力想要得到丈夫的爱，但这场带有包办性质的婚姻从一开始就注定是场失败。为了逃避图伊特，赛参了军，并且爱上了另一个女孩，最终选择了离开家乡。 多年以后，在女儿的婚礼上，再一次站在赛身旁的图伊特，泪如泉涌。

透过模仿其他知名综艺节目情节等方式，讲述台湾电视节目或广告的一些过程，也嘲讽台湾电视史历年来的种种现象。 　　1989年，本单元播映完毕。1997年，本单元的创意被王钧借用，加入他所制作的中视综艺节目《红白胜利》，成为《红白胜利》的招牌单元〈中国电视尺〉。 　　本单元绝大多数全由王伟忠旁白，但有一次因为他休假太久没有回来，存量不够，曾由澎恰恰代录旁白过。王伟忠也认为本单元很难做，一个短剧要换十几个景；他必须说侯文燕真的收集很多资料，剧本写得不错。 　　《连环泡》的〈中国电视史〉单元，不仅是制作人王伟忠的代表作，大部分被发掘的艺人也是在此单元出道的：除了前述所提的许效舜、郭子乾、邰智源、陈为民之外，还包括当时名气相对较不大的九孔，现在已淡出演艺圈的杨丽音、阿咪，甚至连洪都拉斯都是该单元的演员；可以说，该单元本身就在台湾电视史奠定了一定地位。 　　小S表示自己是从〈中国电视史〉才开始注意连环泡的，前面的东西完全不记得。她当时听到〈中国电视史〉的声音时，觉得很崇拜这个人，全家也会讨论说“这个人是台湾最有幽默感的人，讲话口齿又清楚”。

Moshe Ivgy is Yutz, a frustrated poet past his prime, who with his aging bohemian friends frequent Café Braun run by Leah a sympathetic mother figure who has kept the place going for over 30 years. The café was once a home to artists and intellectuals, now it is a haven for oddballs and outcasts including: a violent Arab painter fresh out of an insane asylum, an alcoholic mama’s boy who stutters, a macho heartbroken musician and an outcast Belgian immigrant photographer. The landlord puts the squeeze on Leah and threatens to demolish the building. Through a bizarre chain of events, Yutz and his friends band together to save the café and in turn save themselves. An off beat comedy about people struggling to maintain their sanity in an insane reality

Moshe Ivgy is Yutz, a frustrated poet past his prime, who with his aging bohemian friends frequent Café Braun run by Leah a sympathetic mother figure who has kept the place going for over 30 years. The café was once a home to artists and intellectuals, now it is a haven for oddballs and outcasts including: a violent Arab painter fresh out of an insane asylum, an alcoholic mama’s boy who stutters, a macho heartbroken musician and an outcast Belgian immigrant photographer. The landlord puts the squeeze on Leah and threatens to demolish the building. Through a bizarre chain of events, Yutz and his friends band together to save the café and in turn save themselves. An off beat comedy about people struggling to maintain their sanity in an insane reality